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Sita: An Illustrated Retelling of the Ramayana

Litlinks Review

Devdutt Pattanaik’s Sita: An Illustrated Retelling of the Ramayana is a nuanced and enriching exploration of one of India’s most celebrated epics. With his characteristic blend of scholarship and storytelling, Pattanaik brings a fresh perspective to the age-old tale, focusing on the central figure of Sita while providing broader insights into the cultural, spiritual, and philosophical dimensions of the Ramayana.

One of the most compelling aspects of the book is its treatment of Sita. Far from being a passive figure, Sita is presented as a symbol of strength, resilience, and wisdom. Pattanaik delves into her actions, choices, and trials with empathy, giving her agency and depth often overlooked in traditional retellings. This reimagining transforms her into a relatable and inspiring character, making readers question the conventional patriarchal interpretations of her role.

Pattanaik’s style is inclusive, blending multiple versions of the Ramayana—from Valmiki’s classic text to regional and folk variations. This approach highlights the diversity and adaptability of Indian mythology, encouraging readers to embrace the multiplicity of narratives rather than seeking a single definitive version. The inclusion of alternate viewpoints adds richness to the story, making it more accessible and thought-provoking.

The book is enhanced by its illustrations, which add a visual dimension to the storytelling. These simple yet evocative drawings complement the narrative, creating a bridge between the ancient and modern. Pattanaik’s commentary throughout the book provides historical, cultural, and spiritual context, making the epic relevant to contemporary readers. His reflections on dharma, power dynamics, and the human condition resonate deeply.

Pattanaik’s writing style is conversational and engaging, striking a balance between scholarly depth and readability. The book does not demand prior familiarity with the Ramayana, making it suitable for both seasoned readers of Indian mythology and newcomers alike.

While the book is insightful, some readers might feel that Pattanaik’s interpretive liberties occasionally overshadow the core narrative. His tendency to emphasize symbolism over storytelling may not appeal to purists who prefer a more traditional retelling. Additionally, the analytical tone might detract from the emotional impact for some readers.

Conclusion – Sita: An Illustrated Retelling of the Ramayana is a must-read for anyone interested in Indian mythology, feminist perspectives, or reinterpretations of classic epics. Devdutt Pattanaik’s skillful storytelling and thought-provoking insights make this book a meaningful addition to the genre. By reimagining Sita’s journey, Pattanaik challenges us to rethink the roles of tradition, gender, and power in timeless tales.

It is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation. This seems a deliberate souring of the narrative, made even more complex by Ram’s refusal to remarry despite the pressure on royalty to produce an heir. The intention seems to be to provoke thought on notions of fidelity, property and self-image. And so mythologist and illustrator Devdutt Pattanaik narrates the Ramayan, drawing attention to the many oral, visual and written retellings composed in different times by different poets, each one trying to solve the puzzle in their own unique way. This book approaches Ram by speculating on Sita—her childhood with her father, Janak, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.

 

Country of Origin

India

Published

Oct. 21 2013

Publisher

India Penguin

Language

English

Available Formats

audio book, paperback